2019 (Trailer)

A Forest deals with the current state of Artificial Intelligence’s technology. While there is significant technical literature on this topic, art has approached it mostly from a sort of “robotic-aesthetics”, which most probably will be perceived as quaint and amusing in the near future. The underlying goal of this project is finding out the thought processes and ideology of its leading practitioners.

2018 (Trailer)

Twenty Red Lights explores key aspects of the contemporary financial economy, a subject of great importance that has rarely been analysed rigorously in art or critical thought. The video dissect the characteristics of the new financial-digital economy governing our world today.

Proposition Four – Heads will Roll (Trailer)
3-channel video installation

Contemporary life shares, with equal strength, signs of the real and simulacra, of the past and the present, of images, texts and sounds. There are no master trajectories, no linear narratives, but multiple possible routes, all equally valid.

Proposition Two – The Collection (Trailer)

A Collection is a truth surrounded by many others worth exploring – uncritical semantics is the myth of a Collection in which the exhibits are meanings and the words are labels. To switch languages is to change the labels – since art is dead in the actual life of civilized nations, it has been relegated to these grotesque morgues, museums.

Proposition One – Only the Ephemeral (Trailer)

Rapid obsolescence in the working formats and techniques together with hugely superior access to archival resources is modifying the nature of artistic practice, accelerating its democratization and reinforcing its precarious nature.